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Le Mondial SAQ 2003
Montréal International Fireworks Competition Report

Paul's Rankings for 2003

For once, a truly great competition. Not since the late 1990's have we seen such a close run contest, with a the exceptions noted amongst the displays. Usually, there are three displays which stand out with perhaps a fourth vying for the Bronze. This year, there were six displays which could make it into the top three, meaning there were four trying for third place.

In general, the weather was very good. Despite it raining during the day for several of the displays, every single evening was dry, save for the bad luck suffered by Kimbolton. Not only did they have some rain during their display, the start was delayed due to strong wind and they lost time during their setup due to thunderstorms. They also had bad luck in previous years with smoke accumulation.

As usual, I will present a summary of each display and then give my personal rankings together with my prediction for the popular jury's votes. For interest, I've also tabulated how many pages of notes I took down for each display (under "Pages"). Where there is an asterix, it means my notes for the finale were mainly summarized by the word WOW in big wobbly letters. It is interesting to note that I wrote about 10-15% more per display compared to last year.

Country Firing System Comments Pages
France Traditional Electrical

Considering this was a manually fired display, not a bad effort but, unfortunately, noticeably below the par of the competition this year. There were some interesting moments, particularly the crackle sequence to Storm by Vanessa Mae, but with an emphasis on candles throughout the display, just not enough visible synchronization to be an effective pyromusical. Despite a strong musical theme, the rhythm was spoiled by just too many episodes of dark sky during periods of narration. If the audience has to be told what they're seeing, then there is a problem!

27
Hong Kong / China PyroDigital & ShowDirector

Excellent theme and artistic design with a good choice of music and some fantastic product. Amazing Maltese Raddiena was unfortunately swallowed by its distance from the audience and too many distracting shells and comets. Otherwise, very well designed and choreographed, with a nice mix of serene moments and intense sections, but probably too many mini finalés at the end of some of the tableaux. Very memorable were the Chinese lanterns floating on the lake, some great comet sequences to the plucks of harp strings. An interesting choice of music which very well reflected the theme of the display. Very bad luck with the technical problem in the last 90 seconds of the finalé which will mean this display is just outside of the winners.

35
Italy Firemaster Plus

Not really obvious what the theme was, but a very impressive display nevertheless. Fantastic nautical shells, especially the tapieta and a great Italian finalé, but not quite as great as some we've seen in the past. Trademark rainbow candle and mine sequence was excellent, but the main problem with the display was that it was very similar to other Parente displays I've seen in that it contained the same sequences. But that said, the first display of the year to ellicit a Wow in my notes. The choice of music appeared to appeal to popular tastes rather than being part of a defined theme. Bound to be popular with the jury, but just outside the top three in my opinion.

33*
Argentina Traditional electrical

At the limit of what can be achieved by a manually fired display with generally good synchronization considering the complexity. Interesting special effects such as the burning lake and the large fireballs. An interesting musical theme, but this could have been better exploited with electronic firing. With the level of the competition being so high this year, will not be amongst the winners, but a display at a higher level than the French entrant in my opinion.

34
Portugal Firemaster Plus

After an interesting debut in 2001, there were great expectations for this display. Unfortunately, those expectations were sadly missed. Surprising was the lack of the use of the lake. This is understandable for a debutante, but was missed opportunity here. Noticably less product than all the other displays, and just not enough dramatic moments - even the finale was somewhat less than I expected. The choice of music seemed to be based more on popularity than any organization into a theme. After the innovations of Groupo Luso last year, a big disappointment, the title of Magical Moments just not being appropriate I'm afraid.

22
Australia PyroDigital & ShowDirector

Probably the most well-defined theme of the competition this was a very well designed display. However, many of the sequences were familiar from the previous entry by this team in 2000 and they didn't always work well with the music. Also surprising was the lack of use of the lake, except from some bengals/strobes. Nevertheless, a very good display overall though the finale was not quite in proportion to the rest of the display. Will be fighting with Italy for a place on the winner's podium.

34
United States PyroDigital & ShowDirector

A very well designed and tastefully executed display, with a good range of levels of intensity. Very interesting use of the extra firing ramp, though the lake itself was sadly neglected, save for a few bengals/strobes. Excellent use of colour, especially the very dramatic colour change in the finale. Good choice of music, though it wasn't altogether obvious what the theme was. Bound to be a winner.

31
Canada PyroDigital & ShowDirector

Very well designed and seamlessly choreographed complex display with perfect synchronization. Great use of the lake and lots of interesting angles used for firing comets. Reasonable variation in rate and rhythm, though a few places for the audience to catch their breath would have been appreciated. The final determinant of this display's position amongst the winners will be the music. To my taste, some pieces sounded too similar to each other and I heard others say they didn't like it. If the jury liked the music, could well be the Gold Jupiter winner, if not, then most likely Silver. An excellent effort as a debut display though.

32*
United Kingdom FireOne & ScriptMaker

The only victim of bad weather, both during the setup and the display itself. Very good material used, excellent use of the lake and a good strong soundtrack. Unfortunately, the Movies theme has been done before and a couple of the pieces are on their way to becoming pyromusical clichés. Brilliant finale with an excellent progression of the fireworks with the music. In other parts of the display, the good synchronization that was seen in some of the tableaux was not so evident from the choice of material used. Just pipped at the post for a place amongst the finalists.

40*



Paul's jury predictions


Paul's personal choice

On the social aspect of the competition, this has been a vintage year. It was with great pleasure that I spent time with Toni and Clint Busuttil - what masters of their craft! I also had the pleasure to welcome visitors from the United States, Denmark and Sweden. It truly is a great place to meet fellow pyrotechnicians and enthusiasts from all over the world and I'm very grateful to all the dedicated staff at La Ronde who work untold hours to make this competition happen. Many people would be shocked to see how much work is required to pull off this competition so flawlessly every year. So special thanks to Martyne Gagnon, Paul Csukassy, Anne-Marie Desautels and everyone else whom space doesn't permit me to mention. Once again, you gave me a memorable summer and a chance to indulge my passion.

One final note, just to say that I consider myself a reporter on the competition, not a critic. The combination of fireworks and music excites different people in different ways. My musical tastes are different to other people's and this inevitably influences my enjoyment of a display. This year some displays which I personally really liked, others disliked because of the music. My job, as your humble reporter, is to describe what I saw and report the music used. The Jury has the difficult job of deciding which three should "win". In fact, just being invited to compete sets these companies apart. For a different perspective on the displays, take a look at Georges Lamon's web site, Georges is the official critic at La Presse, one of the local french newspapers. His reports are in French, but the on-line translation programs give a good sense of his thoughts.


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Thanks to the public relations people of La Ronde for the official press release material, shown in white.